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  • Page:
    AVID – How To Relink to your Original Camera Footage
    May 05, 2021 • Susanne Kraft
    • sony
    • pmw
    • f5
    • panasonic
    • vericam
    • lt
    • recorded
    • pix
    • or
    • ninja
    • on
    • the
    • arri
    • internal
    • sxs
    • cards
    • using
    • prores
    • codec
    • avid
    • relinking
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    • 4k
    • native
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    • for
    • aaf
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    • quicktime
    • export
    • davinci
    • resolve
    • –
    • how
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    • original
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    • footage
    • re-transcode
    • online
    • conform
    • uhd
    • hi
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    • hires
    • dnxhr
  • Page:
    AVID – How To Relink to your Original Camera Footage And Re-Transcode for Online Conform to HD or UHD or 4K
    Nov 21, 2019 • Susanne Kraft
    • sony
    • pmw
    • f5
    • panasonic
    • vericam
    • lt
    • recorded
    • pix
    • or
    • ninja
    • on
    • the
    • arri
    • internal
    • sxs
    • cards
    • using
    • prores
    • codec
    • avid
    • relinking
    • to
    • 2k
    • 4k
    • native
    • files
    • for
    • aaf
    • and
    • quicktime
    • export
    • davinci
    • resolve
    • –
    • how
    • relink
    • your
    • original
    • camera
    • footage
    • re-transcode
    • online
    • conform
    • uhd
    • hi
    • res
    • hires
    • dnxhr
  • Page:
    Adobe Premiere - Color Correction Workflow for 2K and 4K Slog3 footage (Sony F5) or similar
    Mar 08, 2018 • Susanne Kraft
    • adobe
    • premiere
    • -
    • color
    • correction
    • workflow
    • for
    • 2k
    • and
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    • slog3
    • footage
    • sony
    • f5
    • or
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    • lut
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    • davinci
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    • cs6
  • Page:
    AVID - Relink DaVinci Resolve Footage that Won't Relink by Changing Tape Name
    May 04, 2017 • Susanne Kraft
    • avid
    • -
    • relink
    • davinci
    • footage
    • that
    • won't
    • by
    • changing
    • tape
    • name
    • didn't
    • work
    • relin
    • re
    • link
    • broken
    • resolve
    • aaf
    • export
    • reel
    • ama
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